Camila Bauer is a theatrical director and a professor at the Drama Department at Universidade Federal do Rio Grande do Sul (UFRGS). She is a PhD in “Sciences of the Spectacle” by the University of Sevilla and in “Information and Communication: mention Scenic Arts” by the Free University of Brussels (2010). In 2008 she took her European Masters Degree in “Live Performing Arts”, with stays in Spain, France and Belgium. She is graduated in Theatrical Direction by UFRGS (2004) and had developed multiple projects in scenic direction, among them Frankenstein (2019), The Enemies in a Doll’s House (2018), The Little Red Riding Hood (2017), the operas Don Pasquale (2016) and Tempos de Solidão - Waisenhaus (2016), Verde (in)tenso (2015), the opera Die schöne und getreue Ariadne (2015), GPS Gaza (2014), The Adventures of the Little Prince (2014), the opera LÓrfeo (2013), Je Tremble (2012), the opera Dido and Aeneas (2012), Sappho in Fragments (2010, Athens), MedeaMaterial (2009, Sevilla), In the land of the sleeping rains (2008, Seville), among others. She conduced playwright workshops in Mexico, Spain and different cities in Brazil.

He Holds a bachelor's degree in visual arts. He’s an actor, director and composer. He went to the Drama School at UFRGS from 1994 to 1998. Since 2008 he has been part of Cia. Incomode-te. He was a soloist in two OSPA projects, the musical "Chimango" and "Concertos Legal" in addition to performing in some of the main musicals produced at his state, such as "Godspell"  and "Dona Flor and her two husbands". In addition to several nominations for awards, holds 6 Açorianos Theater and Music Awards (original soundtracks and supporting actor, arranger and album of the year),  4 Tibicuera Awards for best original soundtrack and 1 Quero-quero (Sated) award also in the original soundtrack category. At the cinema he worked an important films and series produced by Casa de Cinema, Margem Filmes, Verte Filmes, Organismo Filmes and other production companies.

Fabiane Severo is a dancer of contemporary dance and postgraduate in Dance by PUC / RS 2004. Developing works of dance performances in urban spaces such as: Time hiding, Betrayal, and Vows. Choreographic works that participated: Autumn, Winter, Spring and Sea-intimate (summer) - project All Seasons in Motion; Creations: performance "Bed" and "Bride". He was with “Il faut trouver chaussure à son pied” at national and international events. In 2012 she premiered the solo work Do not touch me I'm full of tears - Sensations of Clarice Lispector. In 2013 he was present at the festivals in Brazil, Argentina, Uruguay, Belgium, Cuba and Spain. He won the Funarte Dance Award Klauss Vianna 2014 with the work GREEN (IN) TENSO. In 2017 acting as a performer in the play "Little Red Riding Hood" dramaturgy by Joel Pommerat. In 2018 performer Frankenstein.

Pedro Bertoldi is a student of Theater Interpretation at UFRGS. CNPq research fellow in dramaturgy. As a playwright he signed the following performances: Times of Solitude - Mass of the Orphanage (2016), Desterro: About remains that don't matter anymore (2017), Enemies in the Dollhouse, Ibsen Scholarships 2017 (2018), Robot Factory (2018) )), Daughters of Salt, Best Original Text at the 5th Gravataí Theater Festival (2019), O Diário Inexistente, Best Children's Original Text at the 14th Festcarbo and 5th Gravataí Theater Festival, Frankenstein (2019), Olga (2020), both investigating a collaborative process dramaturgy. Nominated for the 2018 Açorianos Theater Award, in the Drama category, for Enemies at the Dollhouse.

Visual artist and Associate Professor at the Department of Performing Arts at the Federal University of Santa Maria. In his artistic works, Rossini explores different means and procedures to deal with time and the relationships between objects, space and action. Visual artist, theater director and set designer between 1986 and 2004 he directed award-winning shows, including Traças da Paixão, by Alcides Nogueira. 2003 – Entre Quatro Paredes by Jean Paul Sartre. Promotions; 1999 - Açorianos Award for Best Direction for the show Traças da Paixão, Porto Alegre, RS. - Açorianos Award for Best Show for the show Gueto Bufo, Porto Alegre, RS. 2005 Açorianos Award, Best Direction, Best show and Best setting for the show Entre Quatro Paredes.

Trained in classical ballet at Ulbra, she also studied at the École Besso de Danse Classique, in Toulouse. She worked as a volunteer in a cooperation program between France and Burkina Faso, creating a dance school for children in Ouagadougou. She also volunteered at Santa Casa de Misericórdia in Porto Alegre, caring for autistic babies. Used occupational therapy in the recovery of adolescents with alcohol and drug intoxication at Clínica Pinel. She graduated in Psychology at PUC-RS. She worked with several dance companies from Rio Grande do Sul. She was one of the founders of Terra Companhia de Dança do Rio Grande do Sul, which performed in public squares, gyms, prisons and hospitals. In total, there were 431 presentations in Rio Grande do Sul, São Paulo and Minas Gerais. She also founded the Terpsí Teatro de Dança company in 1987, of which she was choreographer and director.

Ricardo Vivian has a degree in Arti and Scienze dello Spettacolo from La Sapienza – Universitá di Roma, where also in the same period, in parallel, he studied in Lighting and videomapping courses. Its main area of ​​activity is scenic lighting. He is an illuminator and technical manager at Cia/Estúdio Stravaganza, in addition to working with other groups and collectives. Received the Açorianos Theater Award for Best Lighting in 2018. He has created 21 lighting creations in the Rio Grande do Sul theater since 2013.